The newest Vortex additions come in either a bright green or pink. As they say, a picture is worth a thousand words so take a gander at the two pics on this post. While either set is a welcome addition to any game table, my personal fave is the bright green. I seriously have over a thousand dice in my personal collection (yeah, tell me about it: I’m a nerd AND a hoarder), but I’ve never come across a set of dice that mimics this bizarre green color. I suppose the closest dice I’ve seen are the Crystal Caste Toxic greens, but the Toxic’s are more of a neon than the Vortex’s electric hues.

Like all dice in the Vortex line, the bright green and pink sets stay true to form and are a swirled color combination of the main color with strands of translucent and milky white. This pleasing color combo really gives the dice a feeling of depth, and when you stare you can’t help but feel you’re gazing into a Palantir (without all the bad effects — nothing like the Eye of Mordor to ruin a perfectly good day!). The bright green dice are topped off with black inks that really make the numbers pop, while the pink are colored with complimentary gold numerals. The swirling colors make both sets a great choice when role playing wizards or illusionists.

Sweet dice worthy of a nerd alert! Check out your favorite hobby/game store for a set or you find them online at Dark Elf Dice.

Although the question of whether any form of intelligent life exists beyond our world likely dates back hundreds of years or more, the question probably gained momentum shortly before the 20th century, when people started reading The War of the Worlds, by H.G. Wells (1898). Here, we find jolly old England under attack from an invasion force of bloodthirsty (literally) Martians. Question: why can’t they ever go pick on Venus?? Anyway, it would appear that man has yet to devise a weapon powerful enough to even put a dent the awesome machines of war that have been manufactured on the red planet. When all hope seems lost, the attackers begin falling prey to the bacteria we humans have so taken for granted. Unable to cope with it, the Martians all end up dying, and Earth is saved (no thanks to the Earthlings).

In 1938, this story was recreated in a radio broadcast that had a lot of people thinking their world really was being invaded (as if humans weren’t doing enough damage on their own). I’ve seen three different movies based on this novel, and only one of them was actually true to its source material. The other two took a lot of creative liberties (like dropping a completely ineffective atomic bomb on the Martians). But the results in all three movies are the same: the little green men catch a cold and die.

Video games are another great source of alien encounters. There are hundreds of alien games, but my favorite has to be the classic Space Invaders, where you’re charged with blasting row upon row of the onscreen invaders before they shoot you down (bonus points if you can blow up the horizontal-moving ship at the top of the screen before it gets away!). This game is old school, but it brings back great memories from my childhood. I also like Earth Defense Force: Insect Armageddon. After a hard day at work, there ain’t nothing better than blowing stuff up — especially gigantic alien insects and city buildings. The weapons in this game are awesome with a capital “A.”

Just as there are hundreds of alien invasion video games, there are just as many movies. One movie with a different slant on the whole “aliens come to earth” theme worth mentioning is 1982′s E.T. Instead of the bloodthirsty type of alien we’re accustomed to seeing in the likes of Predator and other alien flicks, E.T. is a peaceful little guy who gets left behind on our world. This is actually Steven Spielberg’s second “we come in peace” alien movie (Close Encounters being the first). Where E.T. originally comes from, we’ll never know. This movie actually switches everything around: The alien has NOT come to wreak devastation, rather it’s the Earthlings in general who pose a threat to him. Like in The War of the Worlds, E.T. finds life on the third planet hazardous to his health, and begins dying. Well, in the end, the spaceship returns, and he’s brought off world in time. Yes, they actually made a movie portraying extraterrestrial life without resorting to apocalyptic warfare, and the movie was a hit. I’m just glad they never made a sequel, because sequels have a knack for tarnishing the reputation of the original.

Peaceful alien movies are all right, but I have a penchant for aliens with a bit of swagger. One of the creepiest alien movies I’ve seen is Signs. We’re not told whether the unwelcome visitors in this production are from Mars, but they do have a particular weak spot, similar to the Martians from The War of the Worlds. Instead of bacteria, these aliens can’t stand to be touched by water. This time, Earth is saved, thanks to the Earthlings. Not only is the alien in Signs doused with water and does the Wicked Witch “I’m melting” thing, but the alien is beat to a pulp with a baseball bat. Cool! That will teach ‘em not to mess with our planet!

Anyone who enjoys movies with at least a trace of violence will instantly recognize the Wilhelm scream. It’s that unmistakable shriek you hear when someone gets killed, knocked off a ledge, or rocked by an explosion. The Wilhelm scream is a stock sound effect that has appeared in over 200 different films, dating back to the 1950s. The sound effect was originally recorded for a 1951 film called Distant Drums, but was later named after “Private Wilhelm” — a character in a 1953 western that takes an arrow to the leg. There’s a cool website at http://wilhelmscream.net/ that allows you to hear the famous scream whenever you have the urge (arrow to the leg not a prerequisite).

The first time I remember hearing the Wilhelm scream was in the black-and-white creature feature Them (the 1950′s horror flick featuring giant ants and running people — scary stuff when you’re six years old). The Wilhelm scream became the stuff of legend though when Ben Burtt, the sound designer for the first Star Wars movie, incorporated the sound effect into the scene where Princess Leia manages to pick off an Imperial Stormtrooper with a blaster, sending him plummeting to his death. Burtt went on to use the sound effect in several Lucas and Spielberg movies to the point that it became an inside joke. Other sound effects engineers started using the Wilhelm scream as well, and the rest is history.

Watch this video on YouTube.

For twenty years, we were led to believe that Solo fired the first (and only) shot in his legendary confrontation with the biggest flop in bounty hunter history. But then the Star Wars Special Edition hit the theatres. The original trilogy was back, with brand new special effects, and even some footage that had originally wound up on the cutting room floor. That was all well and good, but……..Han Solo getting beat to the draw?…….A bounty hunter missing a target at point blank range? If you look reeeeeeeaaaaaal close, it appears that Solo gives his head a subtle jerk to the side as one or two laser bolts annihilate the wall next to him, but Greedo would’ve missed anyway. There are rumors that upon seeing the outcome of this brief encounter, Darth Vader screamed, “NNNNNNNOOOOOOOOOOO!!!!!!!!”

Well, this is what’s got so many loyal fans ticked off. Greedo was (let’s face it) the least competent bounty hunter the galaxy has ever known, and therefore got what he deserved, so how is it he managed to pull the trigger first?

In the novel Han Solo and the Lost Legacy, our hero sustains an injury when he loses a showdown against Gallandro, a gun slinging ex-soldier. But in a book, we don’t actually see it happening, so this particular scene is widely accepted by the legions of Star Wars fans. If, however, the book were, say, updated twenty years later, and had Solo running away in terror, we’d probably get mad.

In Dark Horse’s Star Wars Tales, Issue #14, we read the story of The Emperor’s Court (a spoof of The People’s Court), in which the late Greedo’s mother accuses Han Solo of murdering her son. Han maintains that Greedo fired first, and he acted purely in self-defense. Emperor Palpatine ultimately finds Solo guilty of murder (commenting on Greedo’s aim being akin to that of a Stormtroopers, if indeed he had shot first), and sentences the smuggler to be carbon-frozen. I think they should probably reopen that particular case, what with recent advances in technology (some DVD collections of the movies allow you to view the original theatrical releases).

In 2015, Star Wars, Episode IV: A New Hope (1977) will be re-re-released in theatres, this time in 3-D (don’t forget your glasses) Already, you can place your bets as to what new details regarding that famous shootout will surface. My money’s on Han dodging the laser blast, then blocking an attempted pistol whip before sending his opponent into the Force.

It’s just too bad someone didn’t capture the battle at the O.K. Corral on video. We could keep tabs on which gunfight underwent more overhauls throughout the years.

The focus of today’s discussion will be the comic book rendition of Raiders of the Lost Ark, released by Marvel. I was sorting through an old box of comics and I stumbled upon this little three-issue gem from 1981. I suppose the title is now somewhat inaccurate, since the movie was renamed Indiana Jones and the Raiders of the Lost Ark (can’t George Lucas ever just leave things alone?). The movie is divided into three separate issues. Issue #1 ends just when Nazi henchman Toht is about to interrogate Indy’s part-time girlfriend, Marion Ravenwood, with a red hot poker tip. Issue #2 ends just as Marion is thrown into the Well of Souls by Toht, where she falls thirty feet (you can see a theme developing here). Issue #3 ends where the movie ends (thankfully, Marion is no longer in danger by Toht — if you remember from the movie, Toht does an ice cream sandwich melting on a hot sidewalk impression as the Ark fries him. Toht’s comic book death is less spectacular, as will be explained below).

For the most part, the comic books remain quite true to the actual movie plot, but there are a few slight discrepancies. Here are a few that caught my attention:

• At the beginning of Indy’s adventure, when he loses the Chachapoyan golden idol to his arch rival Renè Belloq, he then (as in the movie) makes a run for it from a tribe of angry natives, but the comic book leaves out the scene where Indy has to swim to the seaplane piloted by his friend Jock Lindsey, as well as the brief, but terrifying encounter with Reggie (Jock’s pet snake).

• No turbaned swordsman during the Cairo fight scene (how does the comic book leave THIS out — one of the best scenes in moviedom ever. Kenner even made an action figure of the swordsman for crying out loud, and Spielberg parodied the scene in the Temple of Doom sequel).

•  Much later in the adventure, we find Indy and Marion trying to sabotage the Nazi plans to load the Ark aboard a Flying Wing. Here is another point at where the book and movie differ. In the movie, we see Indy get beat half to death by a muscle-bound plane mechanic, but in the book, the mechanic gets clubbed over the head from behind by Marion, with a wrench. (she actually knocks out the pilot of the Flying Wing in the movie). Just before blacking out (in the comic book), the mechanic fires a gun at Indy, which manages to clip the gas tank of the Flying Wing, and BOOM!! In the movie, it’s a gasoline leak from a separate vehicle that accounts of the Flying Wing’s doom.

• In the scene where Indy fights off a whole infantry of soldiers to take command of a supply truck (with the Ark onboard), we see in both the movie and comic book, a transport car with German soldiers aboard go over the edge of a cliff. In the comic book, Toht, the guy who keeps almost killing Marion, was one of the car’s unlucky passengers, but in the movie, he’s one of the even unluckier guys who looks inside the Ark, only to have the flesh melt from his bones by supernatural forces (my very favorite movie death scene).

It’s not uncommon to see creative liberties taken by folks who are charged with recreating an original story, but, for the most part, the comic book rendition of Raiders of the Lost Ark is quite true to its source material. Even though some key movie elements are MIA, this comic book adaptation is still a classic, and gets two nerdly thumbs up.

Watch this video on YouTube.

But what if you want to play b-ball without actually expending any physical energy? That’s why they invented video games, and that’s why they invented games to pander to the sports enthusiast in all of us—hence the title NBA Jam. No, not the more recent one available on the Nintendo Wii, I’m talking about the original (1993). There aren’t any create-your-own-player options, no drafting guys out of college, and nothing else to distract you from the reason you turned on the game in the first place. Just good, clean arcade fun.

Although the game features NBA teams (as the title indicates), the rules differ noticeably from those of the real-life game. For starters, an NBA game consists of five-on-five action, but in NBA Jam, it’s two-on-two. When you select a team, you’ll be playing with that team’s two best players from the 1993-’94 season. Chicago Bulls fans will be dismayed to learn that M.J. is not in this game (he was retired at the time). But there are loads of other big name players of that past era, from Charles Barkley (Phoenix Suns) to Dikembe Mutombo (Denver Nuggets).

The game consists of four 3 minute quarters. Sure, it doesn’t seem like much, but if you’re hungry for more when the game ends, you know what to do. For all you zebra haters you only see the ref once, when he tosses the ball into the air for the tip-off to start the game. From then on, you can take as many cheap shots at the other guys as you want. When you’re on offense, you can floor defenders by throwing elbows; when you’re on defense, you can shove opponents down (this action will cost you energy, unless your player is “on fire”). There are no fouls, no free throws and no ejections. Just be careful when you’re getting rowdy, because you might end up smacking your own teammate. If your player makes three baskets in a row, he’s “on fire”, and can go as crazy as he wants to without tiring out. The “on fire” phase will end if the other team manages to score a basket.

The most attractive feature, however, is the incredible slam dunks players are capable of. When you charge the basket and shoot, you might just see your man take off like a jet to deliver the jam. Sometimes, you can even destroy the backboard. Debris flies, and the announcer yells “BOOMSHAKALAKA!!” Win or lose, your game isn’t complete until you litter the floor with shards of fiberglass. So the next time you want to hit the court without climbing off the couch, maybe it’s time to turn on some NBA Jam.

Watch this video on YouTube.

The basic rules governing standard chess apply here, with a few variations necessary to accommodate a game that’s been disproportionately expanded. Here is a brief synopsis of the game and its mechanics:

• Whereas we all grew up with the standard 64 square board, the playing surface of a Chess 4 game board boasts a whopping 160 squares, 64 of which make up the central “battlefield” area where most of the fighting will take place. The remaining 96 squares are divided into four additional 24 square areas (8 wide, 3 deep), which are positioned at each of the four ends of the “battlefield”. Each army starts the game in its own “alcove”, taking up 16 of the 24 squares.

• Every player’s King must start to the left of the Queen. The lovable phrase “Queen on color” is, for all practical purposes, obsolete.

•  Since pawns can only move forward, this means they must go straight toward the army opposite them, but by capturing diagonally, they can actually reach the King’s Row to their left or right, and will therefore be eligible for “promotion”.

• When a players King is placed in check, that player must wait until his/her turn to address the threat. If, before he/she gets the chance to do so, another player moves in and turns “check” into “checkmate”, it’s game over for the checkmated player. The player whose move initiated the checkmate is credited with the checkmate, not the player who merely initiated check.

• When the first player has been checkmated, the game does not end (except, of course, for the checkmated player). All but one player must ultimately be checkmated, and the last player standing is declared the winner.

• There are two different methods of play for dealing with a checkmated player: Method 1 requires that a checkmated player’s pieces left on the board stay there for the rest of the game, thus forming obstacles for the remaining players. Method 2 allows the checkmating player to then assume control of the army left behind by the checkmated player. This new army can only be moved when its turn comes up, just as if the original player were still in the game.

• As an added twist, the game can be played as teams, with partners sitting opposite each other (just like Bridge). Or, two players can take control of two armies apiece and go to town on one another.

Other than that, the game is no different from its classic version. Have fun playing the game, and maybe someday you’ll feel confident enough to take on Deep Blue.

Watch this video on YouTube.

But just how does a Jackalope come into existence? Thanks to the miracle of breeding, there are many new variations of the same animals that have walked the earth since before anyone can remember. There are even hybrids. But a cross between a jack rabbit and an antelope?? Such questions call to mind thoughts of Centaurs, Mermaids and Minotaurs, but unlike these which are all partly human, the Jackalope is not capable of violent acts. Think about it—when was the last time anyone’s ever reported having been attacked by one? And given man’s tendency to wreak absolute destruction on anything he doesn’t understand, the Jackalope’s staunch refusal to come out into the open suggests an intelligence level far exceeding that of your typical garden variety rabbit.

Some people have been known to mount the head of a Jackalope on their den wall, but any simpleton can see that they merely attached the antlers of a white-tailed deer to the scalp of their deceased pet rabbit (after visiting a taxidermist). Even supposedly authentic photographs of Jackalopes in their natural habitat (forested areas west of Kansas) are proven to be hoaxes. If you want to find a real honest-to-goodness Jackalope, you’re going to have to go trudging out into the deep woods out west with absolutely no intention of seeing one. The only encounters between man and Jackalope are those that are unintentional.

One might ask why Jackalope sightings only date back to the early to mid 20th century. Surely white settlers migrating west would have heard stories told by the natives of an elusive creature that’s 90% jack rabbit and 10% antelope. Ask yourself this: If a colony of foreigners were moving into your neighborhood, would you tell them such a story (at least with a straight face)? And if you did share it with them in a jovial, happy-go-lucky fashion, would they bother passing it on to their descendants?

Maybe the Jackalope is a near-extinct species that dates back to the dawn of man himself. But more likely it’s a legend borne of that not-so-rare combination of alcohol and boredom. You decide for yourself…

*** Click On Photo To Enlarge ***

Sadly though, all is not perfect. Take television for example. The networks offer a taste of science fiction and fantasy in their current programing lineup (Grimm is one example), but all too many shows have been canceled in favor of reality shows or police, doctor, and lawyer dramas (I thought people hated lawyers!).

Here then are 3 essential science fiction and fantasy shows that got the axe way too soon:

Firefly

Never since Star Trek was cancelled back in the sixties has there been such an outpouring of fan support for a science fiction TV show.  Joss Whedon (director of the upcoming Avengers movie), created Firefly for the Fox network back in 2002. The show ran for only one season, but in that time fans fell in love with the space western and grew attached to the renegade characters and the post civil-war universe they existed in. Firefly has achieved cult status and has given way to a movie (Serenity), comic books, and a role playing game. Hardcore fans loved the show so much that they even made their very own movie — Browncoats: Redemption — a sequel to Serenity. Every now and again rumors circulate that Firefly is coming back to television. The latest is that Netflix could bring Firefly back from the dead and begin making new episodes. One can only dream it comes true…

Watch this video on YouTube.

Legend of the Seeker

Another cancelled show that saw an outpouring of fan support was Legend of the Seeker, an ABC production that ran for only two seasons before being thrown under the bus in 2010. Legend of the Seeker (or LOTS) was based on Terry Goodkind’s The Sword of Truth novels, and in this humble nerd’s opinion really was the best fantasy show on television. After the cancellation, there was hope that the SyFy network would pickup the rights to LOTS and carry on the adventure, but it wasn’t to be.   An active fan base organized at the Save Our Seeker website is still working hard to revive the show and has received the blessings of Terry Goodkind himself.

Watch this video on YouTube.

Life On Mars (US Series)

Life On Mars was another outstanding science fiction show that only ran for one season. The show was an adaptation of a BBC program by the same name, and aired on the ABC network from 2008 to 2009. The program was an interesting juxtaposition of the science fiction and police genres whose main character, detective Sam Tyler (played by Terra Nova’s Jason O’Mara), is struck by a speeding car in 2008 and wakes up in 1973. With each new episode the audience learned more about the mystery regarding Sam’s time displacement. Like Firefly and Legend of the Seeker, fans rallied around the show once they learned of the cancellation and petitioned the network to keep it alive, but alas, the outcry of fan support fell on deaf ears.

Watch this video on YouTube.

Blame it on bad time slots, lack of advertising, or network executives incompetence, all three television shows were killed off way before their time. What makes these untimely cancellations so disheartening is how exceptionally well done the shows were. In a just world, shows would be rewarded based on artistic merit and these cancellations would have never occurred. Sadly though, top notch writing and acting were no defense against the axe, and one can only hope that there will come a time when shows like Firefly and the others will run eight seasons or more and garbage like Dancing With the Stars will be jettisoned to the trash heap.